The final in the Motovun hill of films is the Spanish-Chilean drama White on White. This winner of the FIPRESCI and Horizon prizes at the Venice International Film Festival and the recipient of the International Human Rights Network special award follows a wedding photographer who becomes overly intrigued by a bride-to-be.
Objects in front of a camera are not always as they appear. In the late 19th century, photographer Pedro comes to Tierra del Fuego to take pictures of the mysterious landowner Porter and his child bride Sara. While Porter is gone, Pedro becomes increasingly obsessed with Sara’s photographs. When this obsession of his is exposed, as a punishment, he is sent to “record the making of history” – the colonization of new territories and a genocide against the indigenous population.
Camera in hand, the photographer unwillingly becomes a participant in whitewashing of the barbarisms of the colonial past. Tackling the complex issue of the relationship between aesthetics and morality on the one hand and personal and social responsibility on the other, White on White won its author Best Director Award in Horizons program of Venice Film Festival.
In typical festival fashion, the feature film will be preceded by a short film, the Iranian drama The Kites.
Tickets are available at the Art-kino ticket office (which opens an hour before the first screening every day) or via the link for Ulaznice.hr below.